Monsters on the EDGE Exhibition

Monsters on the EDGE Curated by John O’Donnell
hosted at the Hartford Artspace Gallery from September 19 - October 22.


Nest, 2026, Ink, 18" x 24"
(In Collaboration with Therese Guevara)

A rat king is a phenomenon that occurs when a group of rats’ tails become tangled and binds them together. This can happen during cold winters when rats nest together for warmth. Although it keeps them warm, it ties them together until they slowly die off—forever trapped in a fight to survive.  
—Therese Guevara


Monsters on the Edge is the second addendum to the ÆMPIRE exhibition series. The exhibition explores the uncertain boundaries between empire and the unknown, drawing inspiration from medieval maps, illuminated manuscripts, and early attempts to describe unexplored places. Focusing on the edges of cartography and storytelling, the exhibition considers the monsters and mysterious beings that appeared where knowledge ended. These imagined figures reveal both the limits of understanding and the enduring human desire to give shape to the unknown.

Therese and I have known each other since the sixth grade, so when we were asked to put in work for Monsters on the Edge, we knew we could accomplish the task! As life-long friends, we found common interest in cartoons and comics, later inspiring us to hone our skills in various media. We knew each other’s sense of style, skill, and had the synergy. Together, we illustrated Nest using ink, taking turns drawing while planning our imagery ahead of time.

Since childhood Therese has always had a fascination in imagining the creatures and spirits spoken of in hushed tones over fires at night. Every family and culture has stories only explained by the supernatural. She uses physical mediums such as etchings, drawings, and carvings to put a face to these legends that live through words passed down generations of storytellers.

For me, storytelling and connecting with others is at the core of my artistic practice. I use a variety of media to explore themes of identity, culture, and community. An integral part of my aesthetic comes from reflecting on food, fashion, and community traditions. My art seeks to honor culture as a living entity—one that evolves through exchange and shared experiences rather than remaining static or confined by borders.

Below is some documentation of the reception night!

Thank you Bansta for taking some amazing shots of us and the exhibition! Thank you to everyone who came and supported us on reception night!

Process Video
Post

Monsters on the EDGE

Monsters on the EDGE


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What Now? Exhibition